“Persephone (2019) is a reinterpretation of the Greek myth of Persephone, the goddess who was abducted by Hades and subsequently forced to spend a portion of each year with him in the underworld. The work was born out of my attempt to imagine Persephone seeing her reflection in each of the six rivers visible from the underworld on her annual journey into Hades.

The piece begins on the shore of the Oceanus, the river-sea that separates the worlds of the living and the dead. Persephone (represented here by the alto flute and the bassoon) cries out in anguish as she awaits her return to the underworld for the coming months. The towering but distant voice of her mother, the powerful goddess Demeter (represented here by the oboe and the bass clarinet), echoes Persephone’s distress back to her. As the goddesses’ voices become increasingly hysterical, Hades (represented here by the horn and the trombone) emerges from the earth, seizing Persephone and taking her in his chariot over the Oceanus and into the underworld. As they fly over the Acheron, the river of pain that marks the entrance of the underworld, Persephone sees the reflections of her and her captor distorted by the ripples caused by the oars of the ferryman Charon. The Phlegethon, the river of fire, is patrolled on both sides by centaurs who prevent the shades of the wicked from escaping the water; Persephone’s reflection stands alongside the ghosts imprisoned in the river. She sees her face contorted by rage in the turbulent waters of the Styx, the river of hatred that wraps around the underworld seven times. The dead who do not receive a proper burial spend eternity on the banks of the Cocytus, the river of wailing; similarly trapped, Persephone sees her reflection mingled with these ghosts and hears her voice echoed in their cries. The Lethe, the river of forgetfulness, passes by the cave of the sleep god Hypnos; in this river, Persephone watches herself surrender to sleep, accepting that she can do nothing to change her fate.”